Hat tip to Khalifa for passing this on. And while we may be occupied with more-than-earthly matters today, perhaps we can take a look at this over the next couple of days and reflect upon it. I have a few thoughts of my own I will share on it shortly.

“When you control a man’s thinking you do not have to worry about his actions. You do not have to tell him to stand here or go yonder. He will find his “proper place” and will stay in it. You do not need to send him to the back door. He will go without being told. In fact, if there is no back door, he will cut one for his special benefit. His education makes it necessary. ….History shows that it does not matter who is in power…those who have not learned to do for themselves and have to depend solely on others never obtain any more rights or privileges in the end than they did in the beginning.” – Dr. Carter G. Woodson, The Mis-Education of the Negro.

Let me say from the outset that if you’re faint of heart or easily ruffled, pardon my having included you on this note. One would think that in quoting a social commentary from 1933 that its ideas would be anachronistic or at least irrelevant by 2010, but I find that as an African American Muslim its words ring disturbingly poignant and applicable. Between the Muslim world and America, and between history and orthodoxy, African American Muslims are in a social purgatory of agenda and mission…of identity and relevancy..and between citizenship and complacency.

Let me clarify my use of the term purgatory. Social Purgatory: Living effectively in no sphere of mainstream society whether religious/spiritual, professional, economic, or cultural. .. And belonging neither comfortably or whole-heartedly to the African American community or the broader Muslim community. We stand on the fence at a time of key transition. Imam W.D. Mohammed (rahmah of Allah be upon him) has passed away. Imam Jamil is likely to die in prison, we had to scrape to raise funds for Imam Siraj’s health care, and many of us are an arm-span from FBI watch-lists or already on it. Every time a domestic attack occurs we pray that it isn’t a Muslim. Then we pray that it isn’t an African American Muslim. And then we deliver our “that has nothing to do with Islam” speech on cue. That, my brothers and sisters, is something of a purgatory in itself.

We cannot afford to turn a blind eye or merely a snide comment to the pathologies that exist among us. The dogmas and isms that we tolerate… No, this is the chasm through which opponents readily attack and before that, these are the anchors that narrow our Islam. These pathologies are too many and complex to elucidate here, but suffice it to say they range from misapplication of polygamy to dysfunctional views of our very American-ness and citizenship. We constantly frame our troubles as being from without. Well my motivation in writing this is that I believe quite the opposite. They are from within. (more…)

National Public Radio recently did an interview of Imam Anwar Muhaimin of Masjid Quba here in Philadelphia [ma sha'Allah, nice picture Imam Anwar!], my wife, as well as yours truly, asking how and why Blackamericans, despite the phenomenons of 9/11 and more recently, the FBI raid in Detroit, are drawn to Islam. I spoke at some length with the gentleman from the Associated Press, as did my wife, about the continuing evolution of Islam in the Blackamerican experience. You can read the article here. Even though AP did mention the part about Blackamericans being drawn to Islam for many of the social reasons, it did leave out some of the points I tried to elucidate concerning the breadth of reasons why Blackamericans come to Islam: social, spiritual, and otherwise. In other words, the reasons are as vast as there are people coming to it. Perhaps in the future this point can be discussed further at length.

Hat tip to Safiya for putting the AP in touch with us.

Update: Since the article seems to not be on NPR’s web site any longer, I’m going to insert it directly here.

JESSE WASHINGTON, AP National Writer

By now, Sekou Jackson is used to the questions: Why does he need to leave a work meeting to pray? Don’t black Muslims convert to Islam in jail? Why would you even want to be Muslim?

“It’s kind of a double whammy to be African-American and Muslim,” said Jackson, who studies the Navy at the National Academy of Science in Washington. “You’re going to be judged.”

Jackson’s struggle may have gotten harder when the FBI on Wednesday raided a Detroit-area warehouse used by a Muslim group. The FBI said the group’s leader preached hate against the government, trafficked in stolen goods and belonged to a radical group that wants to establish a Muslim state in America. The imam of the group’s mosque, a black American named Luqman Ameen Abdullah, was killed in a shootout with agents.

Although the FBI was careful to say those arrested in Detroit were not mainstream Muslims, it has accused other black Muslims of similar crimes, most recently in May, when four men were charged with plotting to blow up New York synagogues and shoot down a military plane.

Yet the Muslim faith continues to convert many average African-Americans, who say they are attracted by Islam’s emphasis on equality, discipline and family.

“The unique history African-Americans have faced, we’re primed for accepting Islam,” said Jackson, 31, who grew up in a secular home and converted to Islam when he was about 18.

“When someone comes to you with a message that everyone is equal, that the only difference is the deeds that they do, of course people who have been oppressed will embrace that message,” Jackson said. “It’s a message of fairness.”

It was a message of black pride in the face of dehumanizing prejudice that launched Islam in America in the 1930s.

Created by a mysterious man named Wallace Fard, the “Lost-Found Nation of Islam” strayed far from the teachings of the Prophet Muhammad, but its mixture of self-reliance, black supremacy and white demonization resonated with many blacks. Some 30 years later, Malcolm X began the African-American movement toward traditional Islam when he left the Nation of Islam, went on a pilgrimage to Saudi Arabia and proclaimed that all whites were not evil.

In 1975, the Nation split into two factions: a larger group that embraced orthodox Sunni practices, and another, led by Louis Farrakhan, that maintained the Nation’s separatist ideology.

Today, it is difficult to determine the number of Muslims in America. A 2007 Pew survey estimated 2.35 million, of whom 35 percent were African-American. Lawrence Mamiya, a Vassar College professor of religion and Africana studies and an expert on American Islam, said Muslim organizations count about 6 million members, a third of them black.

Most African-American Muslims are orthodox Sunnis who worship in about 300 mosques across the country, Mamiya said. The second-largest group follows Farrakhan’s Nation of Islam, which has about 100 mosques in America, abroad and U.S. prisons, Mamiya said.

He said the third-largest group is the Ummah, founded by Jamil Abdullah Al-Amin, the black activist formerly known as H. Rap Brown. The group has about 40 or 50 mosques. The organization targeted in the raid near Detroit was part of the Ummah, the FBI said.

“The vast majority of African-American Muslims are using the religion to strengthen their spirituality,” said Mamiya, who has interviewed many black Muslim leaders and congregants. He said the number of black Muslims is growing, but not as fast as before the 9/11 terrorist attacks.

Few white Americans convert to Islam “because the tendency is to view Islam as foreign,” he said. “For African-Americans, it’s part of their African heritage. There’s a long tradition (in Africa). … It moves them away from the Christianity they saw as a slave religion, as the religion that legitimized their slavery.”

Margari Hill was a California teenager seeking an antidote for nihilism and widespread disrespect of black women when she found Islam in 1993. A few years ago she began covering her hair with a hijab, or head scarf.

“I wanted to be thinking about humility and modesty,” said Hill, a 34-year-old teacher in Philadelphia. “I decided it would help me be a better Muslim and a better person.”

She also is attracted to Islam’s family values and the egalitarian message embodied by the prophet Muhammad’s “last sermon,” which according to Muslim scriptures says that no Arab, white or black person is superior or inferior to members of another race.

Hill’s husband, Marc Manley, said that many blacks who have struggled with crime, drugs or alcohol are drawn to Islam’s regimented lifestyle, which includes prayers five times a day.

“Especially in the urban context, it provides a vehicle for African-Americans to deal with those ills,” he said. “It provides a buffer or a barrier.”

Muhaimin was born into a Muslim family after his parents embraced Islam in the 1950s. He grew up in Saudi Arabia, “but was very clear from a young age that I was and am an American citizen.”

“America is my country, I love the United States,” he said. “I don’t agree with everything our politicians do in our name, but that doesn’t mean I’m not a citizen of this country.”

___

On the Net:

Margari Hill’s blog: http://www.azizaizmargari.wordpress.com

Marc Manley’s blog: http://www.manrilla.net

The Quba Institute: http://www.qubainstitute.com

(This version CORRECTS that FBI raid was on warehouse, not mosque.)

The following is a short paper that I wrote on the relation between Islam and Blackness and the draw between the two back in the early part of the 20^th Century. I hope to have the time to post a few more ruminations, but at the moment, enjoy this small piece. 

Much like the 1940’s, modern day America is taking a closer look at the religion of Islam, how America relates to it, and how Islam fits into the tapestry of the dominant culture. As it is today, so was it some seventy years ago that Islam was seen as a foreign and possibly even hostile entity. And yet, for Blackamericans, Islam not only held a mystique that called to them but also eventually offered an alternative modality of being both black and American. For many, this switch of religious identity was cemented in the social issues of the day, namely the racism that was prevalent in American society at the time towards Blackamericans. As we shall see, jazz, and more specifically, bebop, would play a major role in tying together disparate narratives into a holy protest against white supremacy.

The article I have chosen to discuss is a passage from Dizzy Gillespie’s memoir, To Be or Not to Bop. From the selected passed, Gillespie, as one of bebop’s founding fathers, illustrates a unique crossroads of black consciousness: religion, music and social justice that for many Blackamerican jazz musicians came in the form of Islam, bebop and intellectual/anti-establishment mindset that saw to either confront or subvert the laws and practices of a Jim Crow legacy.

In recent years there has been a tremendous amount of research conducted on Islam, including the phenomenon of Islam amongst Blackamericans. And while there has been enlightening findings that have shed more light on the nature of Africans and their decedents in antebellum American, it still stands that the chain that linked modern Blacks and those of their African ancestors that were Muslim, is a broken one. Instead, as Gillespie relates for us, the rise of Islam in the interest and imagination amongst many Blackamerican jazz musicians had primarily to do with the social/racial climate that these musicians found themselves in. As “colored” or “Negro”, such musicians were barred from playing and performing in jazz clubs, which were white-owned. Even the task of acquiring lodging for these traveling musicians was made near to impossible due to the color of their skin. But in what would be a puzzling discovery, Blackamerican musicians that changed their public identity to Muslim, would find they could pass under the radar of Jim Crow.

The turn of the 20^th Century saw few improvements for Blackamericans. Indeed, one could say that things were worsening, with the state-condoned violence that was unleashed on many Blacks in America. And by the mid- and especially late-Forties, when Black service men were returning to America after having served in a war that was supposed to be about racism, they saw their social context in complete opposition to the values supposedly expressed by the dominant culture. It is here the seeds of discord would be sown and out of this collective discontent would rise a new sense of intellectual ownership over themselves, as yet unseen before in the history of the United States. For many Blackamericans who chose to adopt Islam as their faith, Islam represented something completely outside the jurisdiction of white authority. This sentiment would be proved even by the racist elements of white-American society that would permit access to services to Blackamerican Muslim converts, who were presumed to be of a non-American black origin. Gillespie relates one such occasion:

“He [Oliver Mesheux] went into this restaurant, and they said they didn’t serve colored in there. So he said, ‘I don’t blame you. But I don’t have to go under the rules of colored because my name is Mustafa Dalil.’”

This process, something as simple as changing one’s name to something that sounded Middle-Eastern, offered some Blackamerican musicians a expeditious means of overcoming Jim Crow racism. Though beyond the scope of this article, it would be this sentiment that would inform many other Blackamericans and their choice to embrace Islam.

To gain a more encompassing perspective of this phenomenon, we must also analyze the broader social context into which it came into, namely the liberalization of the American society. One must remember that though Blackamericans were indeed suffering at the hands of their white counterparts, they still saw themselves as American in one sense or another. And along with that traditional sense of American was a strong attachment of Blackamericans to Christianity. As we will see in the Civil Rights Movement, Black Christianity would play a key role in organizing and shaming the dominant culture in American into submission. To be certain, there were some amongst the black intelligentsia that were aware of the legacy of non-Christian religious traditions in their heritage, but by and large, Christianity remained the predominant if not exclusive religion of Blackamericans pre-1900’s. This would all change with the coming of alternative black intellectual endeavors (such figures as Garvey and DuBois were sympathetic to Islam, though certainly not practitioners of it) that saw to root themselves outside of the white-dominated constituency of American society.

With the relaxing of society’s grip on religious intolerance, an increasing (though still a minority to be sure) number of Blackamericans sought solace in the haven that Islam promised. Less rooted in religious or philosophical reasons than purely existential ones, Islam opened up to Blackamericans, of which the ripples of this are still seen to this very day. In short, a black man, for example, in the 1940’s could convert to Islam in what would amount a sort of racial swapping, if not apostasy. And like modern times, this did not escape the attention of the dominant culture, who were curious or even concerned that Islam amongst Blackamericans might be some sort of “anti-Christianity” movement. Gillespie himself, though not a Muslim, was at one point put to the question if he “planned to quit and forsake Christianity”. In a sense, what is being articulated here, is an invisible link that binds “blackness” and “Christianity”. Islam was a foreign enterprise and for many, represented a hostile (though not in the same meaning as hostile would mean today) threat, for this conversion was seen as linked to movements and ideologies that sought to circumvent the status quo of Jim Crow law and sentiment.

I believe that the movement and attraction of Islam within this minority of Blackamerican musicians is both intriguing and erudite to some of the similar issues we’re looking at today. It also sheds light on why Islam would be appealing to a minority group that simply looking for a method of living out a dignified existence in a social landscape that offered few choices and little room for improvement. Throughout its history and even up until today, Islam amongst Blackamericans cannot be separated from its history as a social commentary and vehicle of upliftment and expiation for Blackamericans. Indeed, as we would soon see from the likes of Malcolm X, Islam was a vehicle to combat the hostilities from their environment in a manner and method that differed quite distinctly from black Christians. It also allowed Blackamericans to re-created themselves with a new sense of autonomy not formerly allowed to them in the stifling social climate that they lived in. And yet, unlike Malcolm X, the black bebop jazz musicians that would embrace Islam sought to do so in a non-violent fashion. Contented to be social commentators and critics through their music, most simply just wanted to be able to play their music to a broader audience without discrimination. I find this again, strikingly similar to the times we live in today, where there is a very small number of Muslims who advocate violent resistance to perceived oppressions (valid or otherwise is besides the point here), and yet the vast majority of Muslims simply wish for the right to live with dignity and practice their religion with their humanity intact, and not called into question, as was the case for black folks living at the beginning of the 20^th Century America. Perhaps here in history there’s a lesson for us all to learn (again).